Horns and scales were next up on my agenda. You can use just about any clay that hardens for the horns, but I just happen to have three boxes of Super Sculpey I bought years ago for other projects I never did. Super Sculpey will still break, but I like it because I can mold it to the paper mâché piece before I fire it and get a better fit when I am attaching the piece later. I have learned, though, that long skinny things like claws and horns might benefit from being reinforced with some wire inside.
Creating this dragon has become quite a challenge in major planning of what to do first. How far do I put the scales before the arms are attached? Do I need to paint the breast plates first and how much? Anyway, I decided that most of the body painting could be done before I added the arms, but to be honest, the whole thing just felt so back-ass-wards! I have always completed the fabric mâché part of the project first and then painted the whole thing after. The reason his tail was painted later was just so I had something to hang on to.
October 2015 was my last post! Where have I been? Certainly not doing paper mâché! Well that dry spell is over. With all my other projects completed, I was able now in January 2017 to start a new paper mâché dragon. This one has a little more of a special meaning in making it, but before I tell you about that, let’s talk about how this dragon happened!